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Bar Scene — A New Residential Installation

May 8, 2023

SCOTTSDALE, AZ — Dan Dailey has completed the installation of a custom blown glass illuminated sculpture in a Scottsdale Arizona home. The private commission, titled Bar Scene, is a culmination of Dailey’s popular Individuals series.

The ten-foot-long glass and stainless steel sculpture illuminates itself and the bar, activating a two-story space in the stylish home cantina. Nine reveling figures are depicted, resembling personalities from Dailey’s Individuals series (2004-ongoing)— 129 colorful, life-sized portraits of the human spirit in all walks-of-life. Bar Scene is the only piece to date that depicts multiple Dan Dailey "Individuals” together as a group.

Dailey says his client’s interest in the Individuals series led to the idea for a ‘bar scene’ with multiple characters interacting. “The uplighting accentuates their gestures and facial expressions, while the steel cloud supporting the sculpture allows for downlighting to the bar surface,” he said. “The entire piece becomes, in effect, a kind of chandelier.”

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“My narrative and illustrative approach to the piece sets a mood in this space that I feel determines some of the character in this part of the house,” Dailey added. “As contemporary and dramatic as the architecture is, some basic human sensibilities are expressed in the sculpture.” 

The project took three years to complete, and was delayed for eight months due to the pandemic. This work is the most recent of more than 70 architectural commissions Dailey has completed since 1971.

In New Work
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"Venice and American Studio Glass" Exhibition Opens at Le Stanze del Vetro

December 1, 2020

VENICE, ITALY — The exhibition “Venice and American Studio Glass” opened at Le Stanze del Vetro on September 6, 2020, and is on view until January 10, 2021. Curated by Tina Oldknow and William Warmus, the exhibition gathers together 155 outstanding examples of contemporary art, craft, and design in glass by American artists, with a selection of iconic works by legendary Venetian maestros. 

View fullsize    Birds with Rubies   2020. Blown glass, nickel and gold-plated bronze, pate de verre and lampworked glass. 22 x 26 x 8” each. Photo: Bill Truslow
View fullsize    Female Alligator   1998. Blown glass, sandblasted and acid polished. 20½ x 11 x 8½" Photo: Bill Truslow
View fullsize    Prima Donnas   2012. Blown glass, nickel and gold-plated bronze, pate de verre and lampworked glass. 17¾ x 17 x 8¾” Photo: Bill Truslow
View fullsize    Guiding Star   2017. Glass cane, anodized aluminum. 28 x 48 x 2” Photo: Bill Truslow

Dan Dailey, a pioneer of American studio glass, designed the exhibition layout for “Venice and American Studio Glass,” in which his work is also featured. The diversity of work in glass, both traditional and ground-breaking, demonstrates the enduring and versatile legacy of Venetian glassmaking in America. 

Artists in the exhibition such as Harvey Littleton, Richard Marquis, Lino Tagliapietra, Dale Chihuly, Ginny Ruffner, Dante Marioni, and Nancy Callan, among many others, have had a profound influence on the development and evolution of American studio glass.

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“It was back in 2016, when David Landau, one of the founders of Le Stanze del Vetro, was talking to Laura de Santillana, the granddaughter of Paolo Venini, that the idea struck. As he told me, 'I wanted to make sure that people realized that glassmaking in Venice was not only beautiful in itself and had its own history, but also... that it had an enormous effect on American Studio Glass.' Landau went on to invite Tina Oldknow and William Warmus, both former curators at The Corning Museum of Glass, to organize an exhibition to examine this relationship, and met with enthusiastic affirmative responses.

'It’s a story that’s been touched upon several times but has never been systematically thought out,' says Oldknow. The result was 'Venice and American Studio Glass,' which explores the many ways in which Venice in general and glassmaking on Murano in particular have influenced and inspired American glass artists from the nascent days of Studio Glass to the present day.”

— EMMA PARK, Glass Quarterly

 

Art historian and philanthropist David Landau is behind Le Stanze del Vetro exhibition space on the island of San Giorgio Maggiore in Venice. It is a joint initiative between The Cini Foundation and the Swiss-based, non-profit foundation Pentagram Stiftung, headed by Marie-Rose Kahane, David’s wife. The aim of Le Stanze del Vetro’s programming is to introduce 20th- and 21st-century glass to as many people as possible, and to make them aware of its history, its beauty, importance, and function.

Whatever it is, the way you tell your story online can make all the difference.

Tina Oldknow is an independent curator and art historian specializing in contemporary art, craft, and design in glass. William Warmus is an art writer, independent curator, and art critic.

They have both been curators of modern and contemporary glass at The Corning Museum of Glass, Corning, New York.

Take a virtual tour of “Venice and American Studio Glass” at Le Stanze del Vetro.

Photos by Enrico Fiorese

From his rural New England studio, Dailey collaborated closely with Oldknow, Warmus and many of the artists throughout the exhibition planning process. He gave studio assistant Ken Gray the assignment to design and build a 1:20 scale model of the Stanze del Vetro galleries and the 155 works to be placed within. The laser-cut, painted cardboard structure was made to fold flat for shipping, with reference photos and instructions for snap-together assembly upon arrival in Venice.

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Source: https://urbanglass.org/glass/issue/winter-...
In Exhibition, Museum, New Work
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Voyage
2015. Cast glass, plate glass, aluminum, stainless steel, LED lights. 45 inch diameter face.

Voyage — A New Sculpture at 555 Fifth Avenue in New York

January 15, 2016

NEW YORK, NY — ATCO Properties & Management has completed the installation of a custom cast glass sculpture designed by world-renowned visual artist Dan Dailey at its signature Midtown property, 555 Fifth Avenue. The work, titled Voyage, is now on display in the portico entrance on the sidewalk.

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The remarkable sculpture is illuminated 24 hours a day. It functions as a clock, using computer controlled LED lights to indicate passing hours and minutes. According to Dailey, the sculpture is not intended to be immediately recognizable as a clock. Its complex form and deep blue center invite contemplation.

H. Dale Hemmerdinger, chairman of ATCO, says that the installation’s eye-catching design will enliven the property’s entrance and attract new visitors to the building. “We’re excited to be enhancing our public space with this one-of-a-kind handmade sculpture for our tenants and the community,” he said. “We are thrilled with Dan Dailey’s original and sophisticated design, which we believe will become an attraction for both our tenants and visitors walking along Fifth Avenue."

In total, the sculpture stands nine feet tall and contains 38 glass parts and 302 metal parts. The entire project took two years to complete. The work is Dailey’s 25th installation in Manhattan.

Dailey says the void of time is central to the sculpture. “It is an ethereal concept, yet it is a functional work,” he said. “The technical look and the complexity of the piece represent a new way of realizing an idea based on techniques and design concepts that have driven my art for many years.” He added, “There are numerous drawings in my sketchbooks over the past 20 years that show concepts similar to the clock. It just took the right client to trust me to follow this particular path of thought.” 

View fullsize   Clockwise from top:  Dan Dailey, Joe Wight, and Dana DiPlacido assemble the glass parts.
View fullsize  Dana Diplacido and Joe Wight install LED lights.
View fullsize  Dan Dailey adjusts the color intensity.
View fullsize    Voyage   2015. Cast glass, plate glass, aluminum, stainless steel, 3500 LED lights. 108 x 62 x 18 inches. 350 pounds.
Source: http://newyork.citybizlist.com/article/322...
In New Work
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Hot glass is stretched into a half inch diameter rod which, once cooled to room temperature, will be cut to lengths for a glass mural.

Museum of Glass Artist Residency

December 9, 2013

TACOMA, WA — Artist Dan Dailey was a Museum of Glass Visiting Artist from Wednesday, December 4 through Sunday, December 8. Dailey’s residency was sponsored by Karen and Marc Jaffe through the Fuel Their Fire program, and concluded with a lecture in the Hot Shop on Sunday, December 8 at 2:00 pm. The lecture was streamed live on the museum’s website.

Dailey compares his sketch to a test panel of fused glass rods.

“Fuel Their Fire offers a wonderful opportunity for members of the public to support artists, such as world-renowned Dan Dailey,” noted Susan Warner, executive director of Museum of Glass. “Dailey has received numerous awards for his work, including the Masters of the Medium Award by the James Renwick Alliance, which recognizes artists who have contributed to and influenced their field. His style is very unique, so we are thrilled to have him complete his residency in the Museum’s Hot Shop.” 

A blown glass color cup is filled with molten clear glass.

"About three years ago I began experimenting with a way to use certain techniques and processes to create a glass mural. During the blowing of parts for my sculpture, and for some vessel series, we often make a 'cup' during the first stages of blowing the form. The color cup method allows me to apply colors and manipulate them in a way that will be stretched and overlapped and faded when the form is blown out to its final dimensions." —Dan Dailey

Source: http://museumofglass.org/document.doc?id=5...
In Museum, New Work, Lecture

NEW WORK

   Color Sky

Color Sky

   Pompano

Pompano

   Converse

Converse

   Bar Scene

Bar Scene


INSTAGRAM

Collision, 1983 with sketches

#deluxe #automobile #vase #dandailey #figurativeart #blownglass #sandblasting #drawing #contemporaryart #abstractart #narrativeart #subjectiveart
Garden of Oddities, 1985

photo by @truslowphoto

#deluxe #garden #oddities #dandailey #sciencefictionart #figurativeart #blownglass #enamel #contemporaryart #abstractart #narrativeart #subjectiveart #truslowphotography

HIGHLIGHTS

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